RESURFACE">RESURFACE

Resurfacing In The Aftermath Of 2020

Jew­el­er Nell Chan­dler was inspired by the title. “I thought of the dif­fer­ent sur­faces I have used in my work and the new tech­niques and sur­faces I have been inspired to try with each annu­al show.  It also rep­re­sents how we have spent more than a year in a weird and dif­fer­ent uni­verse and how we don’t even know the way our lives will be “Resur­faced” once we tru­ly head back in. I found myself revis­it­ing pre­vi­ous sur­face tech­niques on my jew­el­ry and for fun I cre­at­ed a cou­ple of paint­ings on the sub­ject of resur­fac­ing our lives that I’m call­ing Going Back In.”

For pot­ter Eve­lyn Ward this past year has been full of changes. “Last fall I under­went brain surgery to deal with a painful facial nerve con­di­tion. I am hap­py to report that the surgery was suc­cess­ful.” Work­ing with clay kept her ground­ed. “My time in the stu­dio, with its famil­iar dai­ly rit­u­als, was a refuge and helped to cen­ter and keep me focused on the work. Since return­ing to the stu­dio in Feb­ru­ary, I feel like I’m resur­fac­ing from those dark, murky waters. My head is clear­ing, the pain is gone, and I have renewed ener­gy. I am still work­ing with mono­print­ing but I have been exper­i­ment­ing with lay­er­ing under­glazes and find myself drawn to more sub­dued col­ors. I feel like the new work is qui­eter, using lay­ers to build up a more com­plex sur­face.”

For painter Michele Yellin “This past year, dur­ing the pan­dem­ic, time has stood still. And yet some­how moved on. I lost my moth­er this year for the third time. First, I lost her to her advanc­ing demen­tia, then to the lock­down, and final­ly to her death from Covid-19. I mourn. I paint. I think. I paint. I remem­ber. I paint. I dream. I mourn. I paint. I resur­face, back to the light, and I paint.”

Resur­face will run both online and in the gallery from May 28 through June 20.

ONLINE open­ing: May 28th, 12 Noon. CLICK IMAGE TO VISIT ONLINE  OPENING.

GALLERY Open­ing Recep­tion: Fri­day, May 28th, 6–9 pm.

 

SENSE OF WONDER Exhibit Came To Be">How the SENSE OF WONDER Exhibit Came To Be

How the SENSE OF WONDER Exhibit Came To Be

Jew­el­er Ari­an­na Bara, wood sculp­tor Lar­ry Favorite and painter Eduar­do Lapeti­na have spent the pan­dem­ic think­ing about their rela­tion­ship to the world and their art. This new show is the result of all the time alone in the stu­dio.

For jew­el­er Ari­an­na Bara the events of these days, filled with both wor­ry and hope, have led to a sense of won­der. “As my world has shrunk, I spend time explor­ing the small­est worlds I have access to and find a uni­verse in the land of moss­es and lichens in the woods, to the bright greens, the tex­tures, the vari­ety of leaves and ten­drils. That  excite­ment car­ries over to the nat­ur­al beau­ty found in fos­sils and stones like Aus­tralian boul­der opals, which begin as rivers of sil­i­ca flow­ing through chan­nels in rock and become beau­ti­ful­ly unpre­dictable in the vari­ety and inten­si­ties of their col­ors. In cre­at­ing jew­el­ry with these fruits of the earth I hope to com­mu­ni­cate that same won­der to the wear­er.”

For wood sculp­tor Lar­ry Favorite this has been an extra­or­di­nary year. “Due to the pan­dem­ic, I have spent long days in my stu­dio, with only a pile of desert iron­wood, tiny bits of turquoise, sheets of ster­ling sil­ver, and my imag­i­na­tion to keep me com­pa­ny. To pro­duce a fin­ished piece of art I must slow down my breath­ing, nar­row my field of vision and steady my hands. As a result, mak­ing my art has the capac­i­ty to calm both my body and my mind. These pieces high­light the endur­ing qual­i­ty of iron­wood, enhanced by a com­bi­na­tion of flow­ing abstract designs and sim­ple images drawn from nature. They are meant to com­mu­ni­cate a sense of famil­iar­i­ty, reas­sur­ance, and heal­ing. I hope you are as calmed by look­ing at these pieces as I was by mak­ing them.”

Painter Eduar­do Lapeti­na writes: “Forced by the pan­dem­ic, I was in iso­la­tion, most­ly work­ing in my stu­dio. It was an oppor­tu­ni­ty to con­nect with the out­side world through my paint­ings. I want­ed the present work to be the cat­a­lyst to rethink the sig­nif­i­cance of our future and to stim­u­late ideas and dia­logue. To have a fresh out­look with an explo­sion of vibrant col­ors, impact­ful tex­tures and mes­sages of hope. I want my jour­ney in art to be a nat­ur­al orches­tra­tion of my expe­ri­ences and emo­tions.”